05
Feb
10

my $.02 on “sampling” = “biting” in hip hop

i’ma speak on this once and only once, due to the fact that it’s okay to agree to disagree…but this is how i see it…(you heard it here first)…if you get my point, cool…if not, cool.

biting is doing the same thing as somebody else…as far as you doing what you saw / heard them do.

sampling isn’t biting because YOU CAN’T DO WHAT THEY DO.

in other words…most people that sample CANNOT REPLAY WHAT THEY ARE SAMPLING W/ THE SAME INSTRUMENTS THAT WHO THEY SAMPLED PLAYED.

you can BITE what you can obtain…like, one can copy my idea if they can RECREATE what i did using the SAME items.

if you can’t RECREATE what i did using the same tools, THEN YOU CAN’T BITE ME.

that’s why it’s so easy to “swagger jack”…COPY snare rolls / drum patterns, or even fashion styles…because it’s easy to obtain the same tools / items and do the same thing yourself.

anyways, my main point is that you can’t BITE what you can’t PHYSICALLY RECREATE.

SAMPLING isn’t so much BITING as it is “recirculating”, or even “remixing” (for lack of a better term)

a true “BITER” is a “cover” band…somebody that can PHYSICALLY play somebody else’s songs…

a really good example of somebody that realized what biting is / was and DEFEATED biting is LITTLE RICHARD.

he developed a style that nobody else could PHYSICALLY emulate.

same thing w/ a lot of famous painters and artists…given the same tools, you still can’t physically recreate what they did AND MATCH OR SURPASS the level of QUALITY.

$.02

10
Nov
09

FyLe ForMatz calls VIOLATION on Brainstorm / B – Mello for…

SWAGGER

JACKIN

1-2, CHECK IT…

i’m SURE most of ya’ll (IN SEATTLE / TACOMA) done heard that “one time” song ON THE RADIO (i.e. KUBE 93) by

JUSTIN BIEBER

(you know, the 15 year-old kid that got signed to Island / Universal & currently has hit songs on Billboard Hot 100)

“FEATURING”

(drum roll please)

Brainstorm of Dyme Def

WTF?

featuring Brainstorm?!?!

as you can see, there is a problem with that picture.

what’s so funny about this shit is that KUBE 93 doesn’t even play the ORIGINAL VERSION OF THIS SONG, THEY ONLY PLAY THE “REMIX” OF THE SONG FEATURING BRAINSTORM OF DYME DEF…and boy do they play it…it’s in constant rotation on kube 93’s playlist.

anyways, of course i went to youtube to see if this “REMIX” was anywhere as “hot” as the ORIGINAL that Kube 93 NEVER PLAYS for some reason, and the comparison is staggering…

Justin Bieber’s ORIGINAL “one time” song has over 20 million cumulative views…while the “REMIX” featuring Brainstorm of Dyme Def doesn’t even have 1,000…ACTUALLY @ THIS MOMENT (10:30 am, Tuesday November 10th), NOT EVEN 100!!!

original >

“remix” >

so, it seems we got a bit of good old fashioned SWAGGER JACKIN” goin’ on where a “hit song” comes out and a radio dj (i.e., B-MELLO) “conveniently” puts a certain artist OF HIS CHOICE vocals’ on a song, makes absolutely no changes to the song (basically), and puts the “REMIX” in place of the PROVEN original.

anybody in the “music game” knows that COPYRIGHTS PROTECT 5 THINGS:

1. REPRODUCTION OF THE WORK
2. DISTRIBUTION OF THE WORK
3. PERFOMING THE WORK PUBLICLY
4. MAKING A “DERIVATIVE’ OF THE WORK
5. DISPLAYING THE WORK PUBLICLY

i’m willing to bet that the “REMIX” that is playing in constant rotation hasn’t been “cleared”, in other words, not only are multiple copyrights being infringed upon, but the LESS POPULAR VERSION OF THE SONG IS BEING PLAYED IN HEAVY ROTATION…SMFH

in closing…
people can say that the “remix” is the version of the song that people want to hear, but the youtube views PROVE otherwise…

KUBE, B-MELLO, BRAINSTORM, WHOEVER OR WHATEVER RADIO STATION…please quit SWAGGER JACKIN’ “hot singles” (like the Young Money one ya’ll swagger jacked too)

MAKE UP YOUR OWN ORIGINAL HOT / HIT SONGS and quit tryin’ to put Brainstorm on songs he has no business OR LEGAL “PERMISSION” to be on…

play the ORIGINAL TRIED AND TRUE VERSIONS OF THE SONGS AND QUIT FAKIN’ THE FUNK BY NOT PLAYING THE ORIGINAL VERSIONS -

just in case ya’ll forgot what SWAGGER JACKIN’ means:

swagger jack

To steal; to copy; to use as one’s own

those ain’t REMIXES…them joints is SWAGGER JACKIN’ UNOFFICAL BITIN’ AND FALSE ADVERTISING

25
Oct
09

“2012″ by FyLe ForMatz

DOWNLOAD

latest beat compilation by FyLe ForMatz…

inspired by what the end of the world would “sound” like – song titles are based on the many different elements that when combined, contribute to the “end of the world” theory.

15 instrumentals and an outro

29
Sep
09

FyLe’z 206 “must see” hip hop videos

16
Sep
09

The homie’z baby mama / main chick

651666597_l

check it out…

the question is this…

WOULD YOU BONE THE HOMIE’z GIRL?

look…

i ain’t even gonna lie…

some of the homie’z broads i probably WOULD bone given the right circumstances…others i wouldn’t.

i think every man has @ least THOUGHT ABOUT serving up his homie’s broad.

i mean really…you don’t think she ever think about what it would be like w/ you on a rainy night when bro bro is out doin’ his thing?

you never thought you could fuck her better than he could?

you ever caught her lookin’ @ you or shootin’ some specific body language in your direction?

sheit…

you don’t think HE would fuck YOUR bitch?

22
Aug
09

NOW HIRING: Gangmember

like any other job, career, or lifestyle, gangbangin’ has it’s pros and cons…

lets take a look @ some of the reason why, and why not, to gangbang.

PROS:

+ Learn how to hustle in hard times (supply & demand: drugs, guns, women, etc.)

+ Learn how to have “heart” / not be intimidated by people

+ Learn how to fight / represent yourself & what you believe in

+ Learn how to get / appeal to girls

+ Learn how the streets work

+ Make a name for yourself

+ Learn how to deal w/ police and the legal system

+ Learn how to “play your position” on a team

+ Learn how guns work / gun safety

+ Learn location awareness / how to (and how not to) act / dress in certain places (other people’s neighborhoods)

CONS:

- high likelihood of serving jail / prison time

- high likelihood of getting “snitched” on

- higher likelihood of becoming an assault / homicide victim

- higher likelihood of negative police encounters

- high likelihood of losing a friend / family member to gang violence

- high likelihood of criminal record negatively impacting future job opportunities

- high likelihood of not graduating highschool / college

- high stress

- many enemies

- bad example for youth

in summary…

live and let live…and don’t judge a man unless you’ve walked a mile in his shoes…

FyLe ForMatz

$.02

17
Aug
09

I’m surprised coochie still sells

Look…

I don’t know all the spots…but just about everybody in Seattle knows that the street ho’s be on Aurora Avenue and Denny Avenue – and the higher priced ho’s be on craigslist; posting new ads DAILY…

so in other words, there’s a lot of “ho’s” both online AND offline.

But the question remains…WHO THE FUKC IS BUYING UP ALL THIS COOCHIE?

i mean really…PAYING FOR COOCHIE IS ACTUALLY MORE DEMEANING THAN SELLING THE COOCHIE.

why pay for it when coochie is basically “free”?

females nowadays will give you some coochie before they even know your government name and birth date…so why pay?

i have yet to meet / see a prostitute that had more sex appeal than a college chick…or even a “church” broad.

see…people must not understand that having just “game” & “swag” alone keeps bread in your pocket, and out of a ho’s pockets…

go take that ho money to a casino and throw it on the tables…

@ least w/ that option you got a 50/50 chance of doublin’ your money instead of just puttin’ those chips in another man’s (pimp) pockets…

13
Aug
09

killer vs. filler in seattle

hip hop / rap music, to me, was always based on mainly 3 things:

1: useful information / “game”

2: competition / “bragging rights & credibility”

3. being able to relate / “feeling the music”

now, i can only speak for myself, but when it comes to certain groups in Seattle, some get filed as either filler or killer, based on the 3 factors pointed out above.

some have the “1,2,3 (killer) factor” such as

rushcamp

rushcamp

and bossmind records

others get filed away as lacking the “1,2,3″…such as dyme def and blue scholars.

now, i know that a lot of people out there are like “NO WAY, EVERYBODY LIKES DYME DEF and BLUE SCHOLARS”…

BUT…i beg to differ and would like to point out that the (seemingly) main reason why people like those groups is because they cater to a “PG-13″ fanbase; a “one size fits all” type of crowd; which “dilutes” the music FACTUALLY to some, and ARGUABLY to others.

think about it…

McDonald’s caters to kids, just like Disney and Nickelodeon do…Dyme Def and Blue Scholars (FOR EXAMPLE) cater to like similar minded “happy meal” rap / hip hop fans…

in summary, it’s a shame that the number of fans out there that prefer “passive / easy” hip hop are the “majority“; thus, hip hop will continue to get even more diluted since “obviously” the people crave the filler, and not the killer.

13
Aug
09

shots fired

KCJ

(seattle hip hop / rap “scene” in jail)

straight to the point.

Seattle got a lot of bullshit artists…

for starters:

we got artists out here that are wack and don’t even realize why they are not further ahead in the game…

we got groups of artists w/ mediocre music that are made to look like the “real deal” to fans out here that don’t even know how to differentiate a wack ass pg-13 act from a real one…

we got artists / groups that have large followings based on other factors besides their music…etc, etc…

and to top that off…THOSE SAME “QUESTIONABLE” ARTISTS ALL “SUPPORT” EACH OTHER (!!!)…a cluster-fuck of wackness if you will.

which amouts to: people wanna say “name names” ONLY SO THEY CAN DIRECTLY “DEFEND” THE WACK ARTIST / GROUP NAMED OR PASS ON THE INFORMATION TO SOMEBODY ELSE SO THAT THEY CAN “DEFEND” THE CALL OUT.

OR…

the “artists” and / or their “buddies” insinuate that “oh, YOU ARE JUST MAD BECAUSE YOU AREN’T IN OUR CLUSTER-FUCK AND YOU WANNA BE IN IT” – type shit…

the problem w/ this city’s “scene” is that it lacks  a QUALITY quality-control system…

people find “success” out here NOT BASED ON HOW GOOD THEIR MUSIC IS, but based on who will DEFEND THEM when their “art” gets called out by a critic.

so what does all this amount to?

a wack-ass buddy buddy system that thinks that everybody that don’t cosign their system of bullshit is just a jealous, envious, hater…real clever.

i for one actually feel sorry for the “scene” out here mainly because the founding principles of it are fucked up…and there are A LOT of people that are in denial about it…